OVER THE THREE-DAY Aboriginal Cultural Festival in Victoria, Canada, I witnessed the great pride of elders as they watched their children and grandchildren dance, drum and sing, celebrating and preserving their rich culture.
This carving stands on a pole at Songhees Point. It depicts the importance of children and the spirit of this sacred site to the Songhees First Nation. This area is also known as Pallatsis, meaning “place of the cradle” in the Lekwungen language. When children were able to walk on their own, parents put their cradle along the waterfront to ensure them a long life. This was the launch site of 3 canoes that participated in the ‘welcoming of canoes’ ceremony and traditional protocol of approaching a First Nations territory and asking to come ashore. A young boy is seen walking behind this pole to join his father (not pictured) before they departed in the canoes for the ceremony and to open the 2015 Aboriginal Cultural Festival in Victoria, British Columbia.
We were a mix of Indigenous people, some in colourful regalia, and non-Indigenous people that included local mayors, business leaders, and myself. We paddled in sync to the shared traditional territory of the Songhees and Esquimalt Nations to ask for permission to come ashore, a time-honored protocol. It was a historic day, as this had never been done before in the history of Victoria.
Chief Ron Sam of Songhees First Nation welcomed us ashore and stated the significance of the canoe ceremony when he said:
“You know I think it’s important, the acknowledgment, when we’re all in a canoe, pulling in the same direction. You know, I think that’s what we want to achieve on a daily basis.”
George Taylor, emcee of the Aboriginal Cultural Festival and director of Le-La-La Dancers of Kwakwaka’wakw First Nation sings and drums as he leads a procession of 3 canoes across Victoria’s Inner Harbor in the canoe ceremony. Ten-year-old Matthew Everson seen beside George wearing a ceremonial blanket and mask participates in this historic ceremony.Chief Ron Sam of Songhees First Nation looks on as Gary Sam, a dancer from the Songhees Nation greets the canoes, he then performed a paddle song to welcome us ashore.A young drummer from the Esquimalt First Nation joins his grandfather (not pictured) on stage at the 2nd annual Aboriginal Cultural Festival in Victoria, British Columbia.Lason Taylor performs as a young grizzly bear at the Aboriginal Cultural Festival in Victoria, British Columbia. Lason is a 3rd generation member of the Le-La-La Dancers First Nations dance company. The Le-La-La dancers are from the Kwakwaka’wakh First Nation in Northern Vancouver Island. They have been sharing their culture and traditions through song and dance under the direction of George Me’las Taylor locally and around the world for 27 years. The passing of stories from generation to generation is how their rich culture has survived and will continue to survive.A drummer stands beside elder Ray Qwulshemut Peter, director of the Tzinquaw Dancers group from the Cowichan First Nation, as they sing and drum at the Aboriginal Cultural Festival. This group presented songs and dances that were taught to them by their elders. They shared a song that was sacred to them and asked that no one record or photograph the performance. Several elders that lead dance groups stepped aside and asked the younger generation to sing and drums their songs. George Taylor spoke of the importance of the “passing of the drumstick” and teaching children and youth so that their traditions, songs, dances and stories may be carried on.A young boy drums as he performs with the Tzinquaw Dancers from the Cowichan First Nation at the 2nd annual Aboriginal Cultural Festival in Victoria, British Columbia. Children learn their traditional songs, dances and stories and participate in ceremonies and at festivals from a young age.Amber Wells shares her story through a hoop dance. Amber’s father, Alex Wells is a 3-time world champion hoop dancer and has taught Amber the basics of this dance to which she has added her own elements.Matthew Everson on stage at the 2nd annual Aboriginal Cultural Festival in Victoria, British Columbia. Matthew is a 2nd-generation dancer in the Le-La-La Dancers First Nation Dance Company.Kelly Robinson of Nuu-chah-nulth and Nuxalk First Nations displays a raven mask that he carved from yellow cedar. Kelly shared that his favourite animal to carve is the raven as it the light bringer, it brings light to the world. Kelly comes from a family of carvers as his uncles and grandfathers also work with this art. This mask is used for dances or ceremonies such as the potlatch.Young Michael Sheena of the Pauquachin First Nation shows off a drum he made from cut pieces of deer hide. He learned how to make rattles and drums from his grandfather, Virgil Bob. Virgil shared the month-long process of preparing a hide, such as putting the fur in a special solution and the scraping of fur. Michael comes from a family of artists as his grandfather’s sisters, Alva and Iona are weavers and jewellery designers. Michael was with his aunts and grandfather in the artist booth. I learned that Michael and Virgil also use elk and bear hide for their instruments.Jason, Lason and George Me’las Taylor, 3 generations of the Le-La-La Dancers First Nations dance company. The Le-La-La dancers are from the Kwakwaka’wakh First Nation in Northern Vancouver Island.
It was an honour to be in one of 3 First Nations canoes during the historic Welcoming of Canoes ceremony. Watch a short 30-second video of my experience.
For authentic Indigenous cultural experiences, attractions and events in Canada, visit:
Pampering elephants at Elephant Nature Park in Chiang Mai, Thailand.
Elephant Nature Park is a sanctuary for rescued elephants from the tourism and entertainment trades in Thailand. Every elephant has a heartbreaking story. To help, you can visit ENP as a day visitor or overnight guest or you can stay longer and volunteer.
Please don’t ride elephants in Thailand, South Africa or anywhere. They are wild animals even if born in captivity. In order to ride an elephant in the tourism industry they need to be ‘broken’ and there is a lot of evidence that states the process is very cruel.
If you love elephants that much and want to be close to them, please consider visiting them at Elephant Nature park instead. You can walk with them, bathe them and even have your photo taken with them.
One of my favourite things to do when I visit British Columbia is to go on a whale watching tour. I’ve been to BC several times and have been on many whale watching tours in Victoria, Tofino and Vancouver, British Columbia.
While on a sunset whale watching tour in the waters of the Salish Sea near Victoria, we were surrounded by a family of orca whales. Suddenly, an orca whale came out of the water to check us out.
A wild & free transient Orca whale (also known as Killer Whale) in the Salish Sea, the waters near Victoria, British Columbia.
Shortly after the above photo was taken, a mother and baby orca swam under our boat, twice. We also had a rare opportunity to watch Orca whales as they taught their young how to hunt for porpoises and saw a humpback whale and seals. It was my favourite whale watching tour to date.
Mother Orca teaching her young one how to hunt for porpoise.
Two orcas in the water near Victoria, British Columbia with Race Rock in the background.
A humpback whale tale against the sunset in the Salish Sea near Victoria, British Columbia
I highly recommend Eagle Wing Tours in Victoria, British Columbia for these reasons:
They are Canada’s first carbon-neutral, eco-adventure whale watching company
They partner with the Songhees First Nation, traditional territory of Victoria, to offer the Songhees Nation Cultural Tour
They contribute to conservation and education
They have several tour options and boats available. I enjoyed the tour on the Goldwing.
I am drawn to learning about the world’s cultures. It is the reason I travel and attend events that focus on art, music and dance. I believe artists and performers are the keepers of traditions, stories, cultural beliefs and the identity of a people.
The Folk Art Alliance brings this together beautifully as they play host to the International Folk Art Market in Santa Fe, New Mexico. In one weekend in July, you meet artists from around the world and learn about their art and culture. It is also an opportunity to make a difference with your purchase. In 2015 there were 173 artists from 57 countries represented at this truly international market.
Mariano’s Tree of Life yarn painting (pictured below) was chosen as the theme image for this year’s market. I had a chance to speak with his son Cilau about this piece.
Tree of Life and Abundance by Mariano Valadez Navarro of Mexico
“On the left side we have the feminine side, on the right side we have the masculine side they represent the balance of the opposites and how it always takes two opposite forces to create life. In this case it’s a girl that’s also following the traditional path. When we see the tree, representing the tree of life and its abundance, it’s abundance is represented through the different living creatures that are living on the tree. Small things such as the bees are important because the bees are a metaphor of ourselves, the bees are hard-working animals, they live in community and they are the caretakers of the queen bee. In our case, we work really hard in the corn fields, we live in community and we are the caretakers of Mother Earth as if it was the queen bee. When we see the moon, the moon is the biggest feminine figure, the fire represents the masculine figure, again two opposite forces that unite and create life. The ones that are in the hands of the male represents the prayer wand that is used for healing physically and spiritually, but also for channelling the healing energy. This is mainly to honour life and it’s duality.” – Cilau Valedez
Yarn painter Mariano Valadez Navarro of Mexico demonstrates his art at his booth at the market. Mariano’s art focuses on the Huichol culture. I would never have believed that his art was created with yarn if I hadn’t seen it for myself. It is full of detail and colour.Grandfather Fire guides initiates on their Shaman path to higher knowledge, a yarn painting by Mariano Valadez Navarro.
I noticed the art of Manisha Mishra and was particularly drawn to her Tree of Life paintings. When I was in India in February, I met an artist whom I commissioned to create a Gond art painting of the Tree of Life and animals I had seen on my visit to India. Manisha’s paintings reminded me of it, so I stopped to chat with her about her work and purchased a tree of life with a peacock. Manisha is a Madhubani painter from Behar in North eastern India.
I’m not sure what it is about the Tree of Life that I love, maybe it is the fact that it is an important symbol in many cultures around the world. I wear a pendant of one around my neck and it has become a part of my logo.
Here’s what Manisha says about the piece I purchased, pictured below:
“This painting is showing the peacock on the tree of life, the peacock is a symbol of love and we say that all your wishes come true under the tree of life. In our tradition we get married to the tree before getting married to the groom. So we say that the tree takes on all the bad omens so you live happily ever after. That is a Hindu philosophy” – Manisha Mishra
artist Manisha Mishra from India
Wandering the market, I came across these forged-metal cow bells made by Janmamad Salemamad Luhar of India. Knowing that every piece at the market is handcrafted, I was intrigued to find out a bit more about them. I learned that each bell has its own unique sound and that cows were outfitted with them so their owners would find them again just by recognizing the sound. This is an ancient art in Janmamad’s community.
Janmamad Salemamad Luhar of India.
Being from Canada, I was happy to see the Indigenous culture in Canada represented at the market. I met up with Haida artist Gwaii Edenshaw of Haida Gwaii and learned about his art. Haida Gwaii is an archipelago on the North coast of British Columbia and is made up of about 150 islands.
Portrait Moon, made of abalone and silver by Haida artist Gwaii Edenshaw. The moon is Gwaii’s father’s crest and is significant in his culture as it governs the seasons.Dogfish Mother made of 22kt gold, platinum and abalone by Haida artist Gwaii Edenshaw. He says “It embodies the dignity of our women”.Haida artist Gwaii Edenshaw
With my 2nd visit to the market and with many of the artists returning, it’s also reunion of sorts. I was happy to see Khin Maung Htwe of Myanmar again. I wrote about his puppetry after the market last year. If it wasn’t for the market, I may not have known about a 600 year old tradition and his puppet theatre in Yangon. I can’t wait to attend a performance when I visit my paternal ancestral home of Myanmar in Yangon this October.
Khin Maung Htwe and Tin Tin OO
I followed the sound of the djembe, a drum that originated in West Africa and came upon a booth of Nigerian drummer, Akeem Ayanniyi. I was reminded of his performance on the market stage last year. It was wonderful to see people joining in and making music together with the drums at his booth.
Akeem Ayanniyi makes traditional West African drums that are played for ceremonial occasions and religious functions. Traditionally drums were used to communicate between villages. Various beats were meant to communicate birth, death or celebration. Akeem is from a highly respected family of drummers and drum makers, going back nine generations.
I couldn’t help but feel like I was travelling the world as I saw a diverse display of folk art and heard a myriad of languages spoken. When I hear languages from around the world especially ones I recognize from places I’ve travelled to, it brings me back to those places like India, Cuba and Morocco.
I was especially happy to see returning artists from South Africa Xolile Ndlovu and my dear friend Lulama Sihlabeni. If you knew me, you would know about my special connection to this beautiful country and people that began with a chance visit to eKhaya eKasi Art & Education Centre in Khayelitsha in December 2012. It has since deepened through 4 more visits to South Africa and by spending time with the women of eKhaya eKasi after starting a mobile photography program there. Hearing isiXhosa in a place I didn’t expect to hear it brought me right back to my times spent in Khayelitsha.
Bead and wire art from South Africa as represented by Lulama Sihlabeni of eKhaya eKasi Art & Education Centre.
Nowhere else in the world can you experience this under one ‘roof’, the Santa Fe sky. If you are ever in Santa Fe in July, make it a point to attend. It is truly one of a kind market that unites people through art.
About 30 minutes from the centre of Cape Town lies Khayelitsha, a Township, home to over 1 million residents. In the heart of Makhaza, a neighbourhood in Khayelitsha is eKhaya eKasi Art & Education Centre. It is home to The Heart of a Woman Project in South Africa, a women’s mobile photography and digital literacy initiative I founded in 2013.
Lulama, director of eKhaya eKasi Art & Education Centre, stands in front of this multi-purpose community centre in Khayelitsha.
The view from the rooftop of eKhaya eKasi Art & Education Centre where I first visited in December 2012. eKhaya eKasi means ‘home in the hood’ in isiXhosa, the predominant language in this Cape Town Township. The neighbourhood has modest brick houses and informal dwellings. The informal homes are made of corrugated metal, tin and wood and residents share a communal water source and toilets. This Township was established during the apartheid era in 1985 and is Cape Town’s largest.
Women at eKhaya eKasi make bracelets for Cape Town businesses. Programs that address unemployment, illiteracy, poverty, health and HIV/AIDS are offered. The skills development programs teach women, mostly mothers and grandmothers, arts, crafts and entrepreneurship. There is an on-site art boutique where participants sell their work to the tourists that visit. Sales provide revenue to the centre so the programs may continue as well as offers an opportunity for the women to generate an income so they may provide for themselves and their loved ones. Women are often the sole providers and caregivers in the Township and face challenges such as high unemployment rates, alcoholism and domestic abuse.
eKhaya eKasi provides space for social services and community meetings. Women in the skills development program serve soup to residents for the Meals on Wheels program. The Elders seated in the photo met to discuss their burial society. Burial societies are designed to help ease the costs of a funeral by operating on a monthly contribution. The estimate is that two-thirds of households in townships participate. The ability to give their family a dignified burial is a significant cultural event.
Veliswa, a married mother of 4 and founding member of The Heart of a Woman Project in South Africa, photographs live chickens in Khayelitsha. Inspired by the model of education and empowerment through the arts,
Work clothes hang on a clothesline in an informal settlement that we photographed in Khayelitsha. Informal settlements are areas with makeshift dwellings crammed closely together. Residents do not have access to water in their homes or on their property. They must walk to get water from a communal water source and use communal toilets, which are often in disrepair.
Yolanda, a married mother of 2 pauses to photograph a ‘Stop Woman Abuse’ mural on Walter Sisulu Road in Khayelitsha. Many of the fences are painted with street art and showcase anything from advertising a cal business to addressing social issues.
Aviwe, a participant in The Heart of a Woman Project, photographs children in Khayelitsha as a curious resident looks on.
Retsepile, a founding member of The Heart of a Woman Project, photographs an informal settlement. This settlement has an approximate population of 11,000 people.
Participants, Yolanda and Esther, share a laugh as they pretend to be waiting for a bus at this Khayelitsha bus stop. We stopped to discuss the art of capturing street photos.
Yolanda and Aviwe photograph the mural on a shipping container, home to Mama Blessing Hair Salon in Khayelitsha. Several small commercial shopping malls and many independently owned businesses can be found here. These companies sell their goods and services in shacks, shipping containers or simply on the sidewalk. With high unemployment rates in Khayelitsha, it is necessary to find economic opportunities. Most of the containers and shacks are painted with colourful murals.
Participants walk (and dance) back to the van after two days of photographing Township Life with the goal of one of the images becoming a postcard.
A participant in The Heart of a Woman Project in South Africa folds the newest product, greeting cards. At the end of the workshop in November 2013, each participant was given 200 postcards of one of their images to sell in the on-site boutique at eKhaya eKasi. Both products are currently sold in the shop and globally through the website.
The women get familiar with Hubspace Khayelitsha, a co-working environment for entrepreneurs in townships.
Nwabisa, the project coordinator of The Heart of a Woman Project in South Africa, talks about the program to tourists visiting the centre with Uthando South Africa, a responsible tourism organization.
Nwabisa, mother of 2 and founding member, photographs Henry at the Site C taxi rank in Khayelitsha as Thoban, a member of the Cape Town Instagram community offers some tips. On June 1, 2014, the women hosted the inaugural #InstameetEKASI in Khayelitsha with members of the Cape Town Igers (instagrammers).
Henry, Site C. Photo was taken June 1, 2014, by Nwabisa N. at the inaugural InstameetEKASI. Nwabisa is one of the founding members of The Heart of a Woman Project mobile photography program at eKhaya eKasi and the coordinator of the program. She has been teaching the three newest participants since October 2014.
Velisa, a founding member of The Heart of a Woman Project mobile photography program at eKhaya eKasi proudly displays a framed image of her photo of a shoe repairman in Khayelitsha. This picture is Veliswa’s series 1.0 postcard and greeting card and was taken with a donated previously owned iPhone 4s.
Busisiwe, a married mother of 2, goes through her iPhone photos and shares them on social media. Each participant has their own Instagram, Twitter and Facebook accounts. The ladies use social media to share images of Township life and connect with supporters around the world.
A collage in the shape of a heart of the women’s photos taken over the first year of The Heart of a Woman Project in South Africa. It was debuted at the 1st-anniversary photography exhibition at eKhaya eKasi on November 22, 2014.
The Eza Kwantu Cultural Group performs at The Heart of a Woman Project First Anniversary Exhibition. Eza Kwantu is a local youth group of vocalists that sing in isiXhosa.
“Photography is more than art; it is empowerment, it is a creative outlet, it is a voice, and it is a source of income for a group of women from a Cape Town Township”
eKhaya eKasi generates income through product sales in its on-site art boutique, business to business orders and through tourism. The art boutique focuses on handmade crafts such as shwe shwe heart ornaments and bags, bead and wire products and photography products by artists in the women’s skills development programs, from the community and other areas of South Africa.
The goal is to draw tourists into a community that did not previously have tourism, offer cultural exchange and to provide economic opportunity to the artists and residents that partner and work with the centre.
Every sale and visit offer travellers an opportunity to visit projects that are making a difference in their communities, contribute to the local economy and make a difference with your purchases.
Visiting Cape Town?
Travel with Uthando South Africa to visit eKhaya eKasi and other development projects on a half-day tour.
Stay at The Backpack, an award-winning Fair-trade hostel suitable for all ages.
In Orchha, India, waste cotton becomes beautiful recycled paper products. I had the opportunity to travel on the Unforgettable India tourwith Intrepid TraveI. We visited Delhi, Varanasi, Bandhavgarh National Park, Orchha, Khajuraho, Chanderi and Agra.
We stopped at TARAgram, one of Intrepid’s responsible tourism projects. TARA is short for Technology & Action for Rural Advancement and is a social enterprise based on a “waste to wealth” model. It employs more than 40 women, including Sahraiya tribal women; who earlier had no source of income. We toured the facility and learned the process of recycled paper making from cotton products such as used clothing.
One ton of TARAgram recycled rag paper saves 3 tons of wood and 100 cubic metres of water. Products such as notebooks, frames, pen holders, gift bags, paper and lanterns are sold on-site, in shops in India and on the web.
Women working with waste cotton and paper to make recycled paper products.
Adding colour to the waste cotton and paper
Loved this — a human press
Some of the products I purchased in the on-site shop.
